VFX supervision
Keep the director’s vision clear from script breakdown to final shot. I connect shoot planning, on-set capture, vendor direction, and creative review so every team understands what the image needs.
VFX supervisor & creative technology
VFX supervision.
A clear path
to
delivery.
I’m Marcus LeVere. I help directors, producers, and studios turn demanding ideas into finished work, from the first VFX plan to the final frame.
Vancouver, Canada Working with teams worldwide
ON THE FLOOR. IN THE WORK.
25+ yearsin film & visual effects
EXPERIENCE INCLUDES
- ILM
- Animal Logic
- Zoic
- FuseFX
- Crafty Apes
01 / How I can help
Protect the vision.
Make the work possible.
Bring me in to lead the visual effects, work through a technical challenge, or give your production a clearer plan.
AI & creative technology
Find where a new tool helps, then build a workflow your team can use. I bring hands-on experience in machine learning and virtual production to prototypes, technical planning, and practical evaluation.
Production planning & systems
Turn creative ambition into a shared view of scope, cost, and responsibilities. I develop bidding structures and production workflows that help producers, artists, and vendors make informed decisions.
Explore VFX Breakdowns02 / Experience that translates
View résumé
The craft of the image.
The reality of the production.
I’ve worked on the image, led the artists, and built the systems behind them.
That perspective connects the creative and technical conversations. I can work through what a director wants, what a shoot needs to capture, and what the team needs to finish it.
CURRENT PRODUCTION
Explore credits on IMDb
Beast Games · Season 3
Production-side VFX Supervisor
Crafty Apes
Director of Innovation / VFX Supervisor
Built and led a machine-learning innovation team.Versatile Media
CTO / VFX Supervisor
Connected capture, stage operations, and production pipelines.FuseFX & Zoic Studios
VFX Supervisor
Creative direction, on-set work, and in-house artist teams.Lucasfilm / ILM
Matte Painting Supervisor
Feature-film environments and visual storytelling.Animal Logic
Matte Painting Supervising Lead
Artist leadership and environment work.SELECTED SCREEN CREDITS
Star Trek · G.I. Joe · Halo · The Twilight Zone · Chilling Adventures of Sabrina · A Series of Unfortunate Events
03 / Built by Marcus
FROM PRODUCTION PROBLEMS TO WORKING TOOLS
I don’t just use tools.
I build them.
My software projects put the same approach into practice: identify a real need, build something useful, and keep the creator in control.
Story development / Creator
WritersRoomApp
From an idea to an illustrated treatment. Develop scenes, organize characters, and export a PDF your collaborators can discuss.
Built to give a story structure before production begins.
Explore WritersRoomApp
BIDDING & PLANNING
OpenBID
VFX bidding and production planning tools for shot estimates, crew needs, and delivery.
VENDOR DISCOVERY
VFX Clearinghouse
A directory for finding VFX vendors, comparing specialties, and checking availability.
AI CREATIVE WORKFLOWS
MySavepoint
AI tools for creating advertising and creative content, from an initial idea to usable assets.
INTERACTIVE VIDEO
YourPlayables
Interactive video tools with AI-generated controller inputs for creators.
CREATIVE COLLABORATION
VFX Cooperative
An artist-led initiative for collaborative production and positive stories about AI.
Vancouver, British Columbia
04 / How I work
Build the team.
Protect the
director’s vision.
Good supervision creates clarity. Artists know what matters. Production knows where the risk is. The director can see the work moving toward the right target.
I bring a hands-on approach, direct communication, and respect for the craft. New technology earns its place when it helps people make better work.
01
Start with the intent.
Understand the story, the image, and the constraints before choosing the technique.
02
Show the work early.
Make assumptions visible and give the team something concrete to respond to.
03
Keep decisions connected.
Bring creative direction, resources, and delivery into the same conversation.
Before we talk
A few useful
starting points.
When should I bring you into a production?
As early as possible, ideally while the script, creative approach, and budget are still taking shape. I can also join around a specific need, such as shoot preparation, vendor planning, a technical prototype, or a VFX review process.
Do you work outside Vancouver?
Yes. I’m based in Vancouver and work with teams worldwide. Remote collaboration, travel, and on-site requirements can be discussed around your production’s location and schedule.
Can you help us decide where AI is useful?
Yes. We can start with the problem you want to solve, test a focused workflow, and evaluate the output with the people who will use it. Quality, consistency, review, and your production’s requirements come before adopting a new tool.
What should I include in a project inquiry?
A short description of the project, the kind of support you need, your target dates, and where the team is based. If you have an estimated VFX scope or budget range, that helps frame a useful first conversation. Please keep confidential material out of the initial email.
Let’s make something worth seeing.
VANCOUVER / WORLDWIDE
What are
you working on?
Tell me what you want to make, where the challenge is, and when you need to move. Let’s talk about how I can help.